Action Comics #862 (DC Comics) Wow, Geoff Johns’ “Superman and the Legion of Super-Heroes” story arc is in the
fifth of its six issues, and Johns is
still introducing new characters into the mix. The good news, particularly for those of us who may have been getting a little bored with the title being hijacked by the LOSH, is that, this time, these new characters are the goofy-ass Legion rejects/subs, including Chlorophyll Kid, Fire Lad, Stone Boy and Rainbow Girl. It’s just a big fun, fight issue, with Johns’ sometimes too-serious script getting some much needed comic relief from lines like, “The ferns cry out for retribution and they’ll
have it!”
Plus, Johns answers a question no one asked—how did Infectious Lass end up in the present to participate in Brian Azzarello and Cliff Chiang’s
Dr. 13 story?
All-Star Batman & Robin, The Boy Wonder #9 (DC) Frank Miller continues his career-long deconstruction of superheroes, now focusing his attention on the incredibly easy target of the Silver Age Green Lantern and the Batman comics of the same era. Of course, with Jim Lee on art, that deconstruction isn’t reflected in the visuals, leading to that highly subversive conceptual whiplash that gives the book it’s love it or hate it aesthetic.
Me, I love it, and while I’ve probably said this regarding several previous issues, I think this may be the best one yet. At least the first half, which has Batman and Robin, painted yellow, casually hanging out in an all-yellow room, enjoying yellow snacks and refreshments, while dressing down and beating up the slow-witted Hal. For Hal-bashing and just plain silly scenes, it’s really hard to beat Batman leaning back in his stool sipping a yellow beverage, while Hal screams “
Damn you and your
lemonade!”
Lee’s doing the work of his career, too; just watch Robin move around the background of the scenes. Great stuff.
Batman #674 (DC) Much of the story finally begins to make some sense, although I’m missing out on some of the clues, and I’m not quite sure to make of the weird bug demon Bat-Mite wears like a backpack. It would help if the art were more competent. For example, it took me a long time to come up with a theory on what exactly happened in panel four of page 14, which was the pivotal moment of the issue. (I
think Batman had removed his armor and struck the Other Batman in the face with it?) This very much feels like the end of the first act of a two- or three-act story, and I closed the book feeling the same sense of disappointment I have after each issue of the Grant Morrison/Tony Daniel collaboration. It reads like a would-be classic, it looks amateurish.
Batman and the Outsiders #4 (DC) Missed it! How does this storyline involving Brother I and the OMACs square with what’s going on in
Countdown? How does a fight between Batgirl and Green Arrow Sr. last longer than a panel? Where does GA get off being pissed at Batgirl for killing people, and arguing it with Katana of all people? Is Jardine manufacturing Pokemon? Who the hell are those people who change their appearances from issue to issue who approach Batman? (It’s not…
them is it?) I don’t know the answers to any of these questions. I really like Juan Lopez, Bit and Marta Martinez art though.
And hey, did you see that four-page preview of terrible-looking Judd Winick and Ian Churchill
Titans monthly? Churchill does fairly bad versions of the whole cast, and it looks like he’s given Beast Boy, Donna Troy and Starfire all new bad costumes. (Or is Starfire’s just so much smaller than usual it
looks new?) Actually, Donna’s might be an improvement. I’m not crazy about how many stars she has, but I don’t really like the night sky look she’s had going on for a while now.
Blue Beetle #24 (DC) Okay, now it really, really,
really feels like writer John Rogers is winding things down for the title. The battle between Jaime and The Reach reaches its penultimate climax, and characters from throughout the run show up to throw down. Is this the end of the title we’re looking at? It’s solicited through May, but it sure looks like if the book isn’t cancelled outright, it may
at least be seeing a new writer coming on, which is tantamount to cancellation anyway (I don’t expect
All-New Atom or
Checkmate to last much longer without Gail Simone and Greg Rucka writing them, for example).
Justice Society of America #13 (DC) The plot involving
Kingdom Come Superman and “The Heartbreak Slayer” finally kicks into gear, but I enjoyed the beginning segments much more than all that tedious domino setting-up, what with Jakeem expressing his frustration over the size of the line-up (“Enough is
enough! This team is too damn
big!”) and meeting Black Lightning’s second retcon-tastic daughter.
Some of my favorite sub-plots from
JSA involved Jakeem and Stargirl’s relationship (including the creepy romantic triangle involving Captain Marvel), so it’s neat to see him crushing on the new girl, particularly with Black Lightning warning him to keep his hands off, “Romeo.”
Guest-artists Fernando Pasarin and Richard Friend do a fine job, keeping the book’s look and aesthetic consistent with that of the MIA penciller Dale Eaglesham. Pretty cool cover from Alex Ross, too.
Kick-Ass #1(Marvel Comics/Icon) Based on how it reads, I have to assume that this is writer Mark Millar’s rejected screenplay for a R-rated superhero action movie with a real world twist, broken down and blocked out as a comic book. John Romita Jr.’s art work, the closest thing to a Marvel House style I can think of, gives it all a subversive twist, in that it looks like
Amazing Spider-Man or
Hulk or
Daredevil comics, but—get this!— it has the F-word in it!
My favorite part? Teenage protagonist Dave Lizewski telling us a little about himself and how he’s just your average teenager thusly: “I liked
Scrubs, Stereophonics, the Goo Goo Dolls and
Entourage. Snow Patrol,
Heroes and the movies of Ryan Reynolds.”
Uh, yeah Millar.
That sure sounds like a real teenager. Or, you know, a middle-aged man’s semi-educated guess about a teenager in 2003 or so. This is a terrible problem with Millar’s writing in general—when reaching for real-world relevance, he tends to anchor his stories to ephemera that will instantly date them (The Goo Goo Doll’s lat album, I notice with a four second Google search, came out five years ago). This single narration box already feels hilariously old; how’s that
Kick-Ass trade going to read in five years?
It continues throughout the book though; a conversation about one of
last summer’s big superhero movie and mention of Paris Hilton as an admired celebrity some twenty minutes after her fifteen have expired.
Structurally, Millar doesn’t do his story the best service, either. The narration of the first four pages ensure us that the cliffhanger at the end of the book—a big one, particularly considering that this is a completely original character—isn’t going anywhere.
Nice art, though.
The Mighty Avengers #9 (Marvel) Missed it! I guess I was so used to this book coming out every couple of months that I wasn’t expecting to see #9 so close on the heels of #8. I certainly didn’t miss anything important. This is a rather uninteresting and insubstantial issue, opening with a post-coital Dr. Doom (ew!) chatting up his naked lover Morgan le Fey (illustrated by Marko Djurdjevic) in the past, and then returning to the present in time for a fight between the Mighty Avengers and hordes of Doombots. Bagley depicts the battle in three consecutive two-page splashes—that’s
six pages spent on
three panels—and while the drawings themselves are nice, it seems like a gigantic waste of space, given what Bendis could have accomplished in terms of characterizing some of the blank slates on the team if he put a little work into it.
I find Ares endlessly amusing, though.
Oh, and not to get
too nerdy or anything here, but how the hell is this even a fight? Can’t The Sentry take out a few dozen robots and Dr. Doom himself in, like, a second or two? Or am I overestimating the actual potency of a million exploding suns?
Project Superpowers #1 (Dynamite Entertainment) I found the set-up for this story back in
PS #0, involving The Fighting Yank capturing his fellow forgotten Golden Age heroes in Pandora’s Box and then needing to release them all, to be awfully dumb, and this issue doesn’t do anything to redeem that wobbly foundation. But it’s hardly a terribly written comic and, besides, how often do you get to read new comics featuring The Green Lama and The Black Terror?
Exactly.
The former Fighting Yank teams up with the Lama, and then confronts Dynamic Man, with the Terror getting a few pages near the end. Carlos Paul’s art is fine, but painterly colors by Debora Carita give the book a sort of sickly look I’m not terribly fond of. I guess it’s to establish and aesthetic closer to that of Ross’ painted cover, but it’s not my cup of tea.
RASL #1 (Cartoon Books) Although
Shazam!: The Monster Society of Evil was
technically Jeff Smith’s first post-
Bone work, it was also an adaptation of a Golden Age story and a full-color reimagination of a corporate-owned superhero franchise, so this book really
feels more like Smith’s first post-
Bone book, if that makes sense.
The plot involves a small-faced thief of some sort using some kind of science-fiction-y devices to travel through time and/or dimensions, and ends up in a universe where Bob Dylan didn’t go by Bob Dylan on his album covers.
There’s a lot that remains unclear—including what exactly the title means—but I’m interested in finding out. It’s also an all-around great package. It’s nice to open up a comic book and seeing the whole thing involved exactly four people to create—Smith handles writeing, art and lettering; his frequent collaborater Steve Hamaker colors the cover, and there’s a publisher and production manager credit. And the book feels and even smells like a comic book should. It’s a little hard to communicate to someone in writing without them actually handling it, but, if you get in the same room with it at some point, feel the slightly rough, papery-paper, and inhale that inky comic book smell.
Ahhh! That’s
comics!Ultimate Spider-Man #119 (Marvel) Confidential to Joe Quesada: Please feel free to cancel
The Ultimates 2,
Ultimate X-Men and
Ultimate Fantastic Four and replace them with an
Ultimate Spider-Man and his Amazing Friends ongoing. Based on this issue, I’m fairly confident it would
rule.
World War Hulk Aftersmash: Damage Control #2 (Marvel) A great recap page! Venom drool! Penance dissing! The only time you’ll hear the term “black buck” used in a Marvel comic! An admantium razor, for the closest shave imaginable! And the line, “You know the Chrysler building? Well, it’s pissed…”
Why didn’t
this Dwayne McDuffie didn’t get to write
Justice League of America for Marvel’s distinguished competition?
