I don't really want to talk about 2003's JLA/The Spectre: Soul War, but I do want to talk about how Batman and Hal Jordan finally make up

I was such a fan of Grant Morrison, Howard Porter and John Dell's JLA that I continued to read the series long after their run concluded (I kept reading until the very end of the book, in fact) and to pick up most if not all of the JLA-branded spin-off one-shots and mini-series. Some of these were good, many of them were not. 

One that I had put in the "not" category was 2003's two-issue JLA/The Spectre: Soul War, which, in 2026, I remembered nothing about other than the fact that I didn't like it at the time and that it featured the Hal Jordan Spectre, not the Jim Corrigan one. 

In the spirit of revisiting later JLA stories from the remove of twenty-some years in addition to having read or re-read a bunch of Spectre comics lately, it seemed natural enough to give Soul War another try. 

The series was written by J.M. DeMatteis, who had written Hal Jordan-as-The Spectre meeting with the JLA in 1999's JLA #35 as well as the entirety of the 2001-2003 fourth volume of The Spectre, the one starring Hal (In fact, Soul War was released the same month as Spectre #25, the third-to-last issue of the series; given that, I wonder if this mini-series was planned as a mini-series, or if the cancellation forced DeMatteis to repurpose a planned Spectre story arc here). 

Joining DeMatteis were pencil artist Darryl Banks and inker Paul Neary. 

This series came out in January and February 2003, the same month as JLA #75 and #76, just after the Joe Kelley, Doug Mahnke and Tom Nguyen team had completed their "Obsidian Age" epic. Therefore, a real stickler might have a hard time trying to orient the particular Justice League line-up that appears in DeMatteis' miniseries with the goings on in JLA. 

That's because the team here consists of the one from Mark Waid's run, the Big Seven plus Plastic Man, although Aquaman had been MIA for a while by that point. 

Complicating things further, Green Lantern Kyle Rayner is drawn wearing his new, terrible, Jim Lee-designed costume seen on the cover of 2002's Green Lantern #151 (the one with the dog collar) in Soul War. He had started wearing in the pages of JLA by the ramp up to "Obsidian Age", but that was a good year since Aquaman had been on the team, having been "killed" during the "Our Worlds At War" event (Actually, he was shunted into the prehistoric past; "Obsidian Age" was partially about a rescue mission to find him, although he wouldn't rejoin the team again until somewhere around 2004 arc "Syndicate Rules"). 

Wait, I guess I'm that sort of stickler, huh?

Anyway, enough set-up. I don't really want to discuss the series at great length, or at least not in great detail, because I still don't like it...although it's not a terribly objectionable comic in any particular way, and we've certainly gotten many, many far worse Justice League comics since its release. 

It's just very much of a piece with DeMatteis' Spectre, and indulges in quite a bit of sometimes heady, psuedo-scientific New Age-y concepts, a sharp 180 from the more simple, black-and-white Spectre of volume three (A likely result of Hal and DeMatteis trying to turn the Spectre from the Spirit of Vengeance to the Spirit of Redemption). I

t's also awfully wordy, the first page of each issue making me blanche and, inevitably, wait a few days between reading issue #1 and #2.

It's also not much of a Justice League story. Of the eight Leaguers, most of them are more-or-less irrelevant to the proceedings (This is in sharp contrast to DeMatteis' own JLA #35). The Flash, Aquaman and Wonder Woman get a few lines apiece, but hardly do much that demands their presence in the story at all (There is a panel or so in which Wonder Woman's lasso of truth play a role, I suppose, and one instance where Aquaman uses his telepathy to give J'onn's a boost). For the most part, they could be replaced by pretty much any other DC character, as they are there just to make this seem more like a JLA story than it might were they not.

Additionally, Plastic Man is fairly superfluous. He appears in many panels and gets a lot of lines—more than the three heroes I just mentioned—but he is mostly limited to dumb jokes, jokes which aren't really funny or insightful enough to truly serve as comedy relief, and jokes which all of the other characters more-or-less ignore, as if they aren't even aware he's around. (There is a short sequence in the second issue where, Hal's narration tells us, Plas is best suited to combat in the "imaginal" realm of the mind that has become the setting, as he is used to immediately, effortlessly transforming himself, and thus, better than any of the heroes understands "the fine line between mind and manifestation"; this was a good eight months or so before Kelley would make a similar point about Plas' imaginative, almost instinctive transformations making him perfectly-suited to a shape-changing battle with a Martian at the climax of the "Trial By Fire" arc in JLA).

Otherwise, DeMatteis really could have just used Superman, Batman, Kyle and maybe Martian Manhunter here and the story wouldn't change much, aside from maybe being a bit shorter and tighter. This is, really, the story of how Batman finally came to accept Hal Jordan as a hero again after the events of "Emerald Twilight" and Zero Hour and nearly a decade of being a relentless critic of the Justice Leaguer-turned murderous supervillain-turned Spirit of Vengeance Redemption.

That's the bit I want to focus on here.

But first, let me briefly summarize the story that DeMatteis embeds Batman's finally coming around within.

Earth is being invaded by alien giant monsters, and the Justice League is trying to fight them off. The twist here is that the alien invaders aren't from outer space, but rather from deep within the minds of humanity, somehow manifesting from within the consciousness of the population and, at times, taking god-like shapes pulled from the collective unconscious. They also have a rather unfortunate name: The Trans.

The Spectre is joining the League in their fight, in the most literal way possible. He meditates for a few pages on the nature of Superman's character and then, as The Trans are dissolving The Man of Steel, he steps in and fuses with him, becoming a giant Spectre/Superman hybrid that blasts the Trans monster away with eyebeams.

He then moves on to Batman and the sequence repeats. A two-page spread shows the process also occurs with Aquaman, Green Lantern and Wonder Woman...sort of. In the case of Diana, Hal doesn't directly fuse with her, and seems to either empower a bunch of Amazon warriors, or perhaps divide into several green-cloaked Amazons...? The art, which is usually strong and clear, can't explain exactly what's happening here like DeMatteis' Hal narration can. It makes me curious if the writer or DC were somehow reluctant to have Hal-as-Spectre take on a female form, if only for a panel here...

In a meeting around the table in the Watchtower, Batman suggests all nine of them "merge with the Spectre--creating an amalgam being capable of defeating these trans-creatures." (I wonder if DeMatteis would have used that particular word were it not for the DC/Marvel crossover event, and instead went with "hybrid" or "composite" or "gestalt"...? At any rate, it was a safe bet that superhero readers were by this point quite familiar with the word "amalgam"...)

The resultant amalgam being is pretty dumb-looking, calling to mind Marvel Comics' and Combos' Combo Man. 

Though that's good for a few pages, Martian Manhunter finally realizes the Trans can't be beat on the physical plane. A little investigation into memories of a world the invaders have conquered later, The Spectre instructs Superman and Flash to build a device with eight beds at super-speed, and then The Spectre will temporarily kinds sorta kill the League, allowing them to fight the Trans on their true turf, "the realm of pure consciousness."

"Physical force is useless in this...soul-war we're fighting," J'onn says, saying the title of the comic book out loud.

That's the end of the first issue. The second begins with our heroes in the new setting, where each of them is immediately seduced by potential paradises of their minds' own making. We get glimpses of some of these, but not what it is that makes Batman...or, at least, his consciousness or soul or whatever, which is here shaped just like Batman, smile and cry at the same time ("What Batman saw...what he created out of his buried wounds and longings...is not for me to share," Hal narrates). 

Batman is able to shake these fantasies off, though. There are many, many pages of battle in this mental plane, but the Trans eventually takes everyone out of the fight...except for Batman, who argues with them by fighting them, and eventually seems to win, punching them out. (This is very much a Batman-is-the-best kind of story).

When the Trans are seemingly defeated, The Spectre finds that the machinery keeping the League in suspended animation has been sabotaged by a human agent of the Trans (a TV psychic introduced in the first four pages of the series) and, to bring them all back to life, he has to sacrifice his "existence"; this means the League awakens while Hal is drifting in a "non-place" towards complete oblivion.

The heroes won't let this occur to Hal, though, and J'onn suggests that since humanity's belief in the League helped them defeat the Trans (somehow, I can't claim that I picked up everything DeMatteis was laying down here), perhaps their belief in Hal can now save him. 

So with the TV psychic, an actual medium who was able to channel The Trans, they all sit around the meeting table and hold hands, a ring-generated crystal ball that Kyle created to be "a focal point for our collective unconscious" in the middle of the table.

Here Banks' imagery is evocative of Mike Sekowsky's iconic cover of 1963's Justice League of America #21, depicting the original Justice League seeming to conjure the Justice Society in a seance around a crystal ball. (Which was certainly no accident).

The plan seems to be working for a few panels, but then stops, and when Aquaman demands of the psychic to explain why, she sadly says there was a "weak link among you....one mind, one heart that didn't believe."

Wonder Woman and J'onn look immediately to Batman, who Banks draws standing up, his hands flat on the table, shadow completely obscuring his face, even the white triangles of his eyes.

Batman explains:

I can't give--what I don't have. 

The Hal I knew and respected--the Hal I called friend...died--a long time ago. 

Let him stay dead. 

Just as J'onn begins to argue that the fate awaiting Hal is now far worse than death, Batman screams in pain, as something Hal had implanted in his brain and called a "parting gift" earlier in the story is activated. Batman begins to rationalize what he's seeing, but a voice tells him that the pain is the result of his own resistance, and that his heart knows what he's seeing is true.

The voice is that of his mother, and his parents appear before him (Although Banks draws Thomas Wayne clean-shaven, so maybe it's not them...or maybe there are no mustaches in Heaven, I don't know).

Martha Wayne explains that the vision Batman saw of them in "imaginal space" earlier, that deepest desire that Hal said in narration he couldn't share with the readers on Batman's behalf, was a trick, which is why Batman was able to see through it and save the League from their own individual false paradises, but that this vision really was real, The Spectre answering Batman's "deepest prayers."

Rising from the floor after the episode, Batman demands everyone circle around the table, join hands and try again, and this time he shouts into empty space at The Spectre. I'll quote it at length here:

If we can't reach him--it's because Hal is still clinging to his guilt and shame!

It's because he believes he DESERVES an eternity of non-existence! Well, I don't Jordan! I don't!

Listen to me, Hal--I was wrong about you!

You were the best, the brightest, among us! And when you fell--it...rattled me--and it made me wonder:

If a man as good and decent as you could go wrong...what hope was there for the rest of us?

But I see now--that one of the reasons you were reborn as The Spectre--was to give all of us hope! I see now--that you're more of a hero than ever!

And it works. Hal reappears, and Batman takes his old friend's hand, saying he meant every word of what he said, and ending with "Welcome home."

It's not the last word of the comic. The Flash says "Whaddya know? Bats is smiling! Almost." And Hal's narration concludes with "And 'Almost'... ...is good enough for me." 

But it might as well be. For all the weird-ass gobbledygook on the mental plane or within "the imaginal" or wherever this soul war was fought, this is the real development of the story, DeMatteis—and DC—finally resolving the enmity between Batman and Hal that has defined their relationship for about a decade, from the end of Hal's life to his afterlife. 

Re-reading this scene today, I'm curious if Geoff Johns had read this series or not. Most obviously, Johns' 2004 Green Lantern: Rebirth included a big, blunt, clumsy retcon that more or less excused the atrocities Hal committed as Parallax (the whole possessed by a space god thing) and, if I recall correctly, he even added a twist in explaining why it was The Spectre had bonded with Hal. 

In the process, Johns retroactively changed, or perhaps a better term would be that he overwrote, the work of previous writers of Hal Jordan going back years, including that of Ron Marz, Dan Jurgens and others. Because Johns kept writing Hal and Green Lantern books for so long though, and did so much work on the mythology (mythology I suspect was cut short by the New 52 reboot that he himself had kinda sorta initiated with Flashpoint), I think it ultimately worked, proving a clever way to thread the needle of Hal's journey from hero to villain to hero again make sense, for all of Marz's Hal stories to remain canonical but to let the character off the hook for his heel turn. 

But I wonder how it might have affected DeMatteis' work on the character as The Spectre. (As I've said before, I didn't read most of that series, and the issues I did I did mostly because Norm Breyfogle had drawn them). 

At the very least, Soul War doesn't seem to have factored into Johns' take on Hal Jordan, as Johns went right back to writing Batman as being highly suspicious, even hostile toward Hal. 

Of course, Soul War, like a lot of those JLA spin-offs I kept compulsively buying, has never actually been collected into trade which, I've increasingly begun to think, could be an indication of whether or not DC considers a story canonical, or, at least, how important the publisher might regard a story. 

I suppose that may change at some point, it's not hard to imagine DeMatteis' Spectre getting its own omnibus for example, but for now at least, this is a story only available to those who were reading DC Comics in 2003...and those, I suppose, who can find it in back issue bins or on Amazon. 

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 I wanted to share two particular images from this story with you before I go. 

First, when The Spectre joins the League around their meeting table in the first issue, he is fairly giant, towering above them all.  Batman sasses him—"Do you think you could possibly come down to our level--or are you just too far above us?"—and Hal apologizes, shrinking and changing from his Spectre form into that of Hal Jordan.

Notably, here Hal is still looking more middle-aged than his peers, and he's wearing that dumb bomber jacket that I hate. 

My hatred of it is perhaps irrational, and might just tie to the fact that I dislike Hal Jordan as a character but, I don't know. It just seems to give off this Baby Boomer, divorced dad, mid-life crisis vibe to me. Maybe that's not fair—Hal is, or was, literally a pilot after all—but rather than looking cool, it's always struck me as lame but trying too hard to look cool. 

I've long associated the jacket with Geoff Johns—I think he had Hal start wearing his dad's jacket after his dad died in a plane crash?—so I was kind of surprised to see it here. Was DeMatteis (and/or Banks, I suppose) the first to put Hal in such a jacket? Was it present throughout that volume of The Spectre? Or was Hal wearing it back when he was still Green Lantern the first time?

I don't know. But I still think it looks lame. 

My favorite image from the whole adventure is also from the first issue. When The Spectre imports the League into his own psyche, where they investigate Hal's memory of an alien world that has already fallen to the Trans, they are attacked.

Hal is being taken by the Trans, and Batman leaps to his rescue, at one point reaching up to grab the giant Spectre by the cape and shake him awake.

I don't know, I just like that image of a tiny little Batman shaking a giant by the lapels...

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Is this my last post on The Spectre for a while...? Maybe! I confess that while writing this, I read a synopsis of the first issues of DeMatteis' Spectre, which featured guest-appearances by Batman, Superman and Zauriel, and now I'm curious to revisit those. Reading JLA #35 and the interactions between Hal-as-The-Spectre and Zauriel did make me curious about their relationship.

 I think I have them in a longbox somewhere...

DC Versus Marvel Omnibus Pt. 10: Green Lantern/Silver Surfer: Unholy Alliances #1

Although it was the ninth DC/Marvel crossover overall, 1995's Green Lantern/Silver Surfer: Unholy Alliances was the very first to suggest that the DC Universe and the Marvel Universe were two different, separate, distinct and (usually) inviolable universes. 

That status quo now seems obvious, even intuitive. It not only offers in-story rationales for why DC and Marvel characters don't interact with one another constantly, but it's in keeping with both publishers' decades-old concepts of alternate universes, parallel dimensions and a multiverse to imagine that their two respective lines of comics were each set in their own universes.  

DC traditionally cataloged alternate worlds with a letter or number system that was originated by writer Gardner Fox in his Silver Age Flash stories, beginning with Earth-Two and then expanding to Earth-Three, Earth-X, et cetera. Marvel had its own system, introduced to the public by Alan Moore in a 1983 Captain Britain comic, one that gave universes their own numerical designation, with the Marvel Universe being Earth-616.

For a comics reader, it was easy enough to think of the Justice League someday visiting Earth-616 in the same way they used to regularly visit Earth-2. 

Obviously, none of the previous DC/Marvel crossovers acknowledged this premise, though, with each of the first eight just sort of assuming that DC and Marvel characters belonged in the same universe and could thus meet one another if they just visited one another's home cities. Even if that did raise a niggling question in the back of a certain kind of reader's mind (A question both Jim Shooter and Chris Claremont acknowledged in the scripts for the crossovers they had written, with first Spider-Man and then the Teen Titans' Cyborg noting how strange it is that they have never crossed paths with the other publisher's characters before).

That was almost certainly the way to go, too, particularly given most of the characters involved in those crossovers so far. I can't imagine that any of those comics would have benefited had their writers taken a few pages to acknowledge some concept of a multiverse and then figure out some way to get Spider-Man from Earth-616 to Batman's Earth-1 Gotham City or whatever.

The biggest DC/Marvel crossover of all time, 1996's four-issue DC Versus Marvel miniseries, was on its way though, and the very premise of that crossover revolved around the fact that the DC Universe and Marvel Universe were two separate realities. 

It's not entirely clear to me now to what extent Green Lantern/Silver Surfer writer Ron Marz—one of the two writers of the upcoming DC Versus Marvel series—was laying the groundwork for that event comic when he penned this one, or to what extent a story in which the DC and Marvel Universes are separate realities just seemed obvious and natural to him in the story he was telling here.

Obviously, there was some degree of foreshadowing of the next year's big crossover in Green Lantern/Silver Surfer, though, as Marz devotes three panels on the last page of Unholy Alliances to a mysterious cardboard box on a New York City street which starts to emanate strange light—which would have meant nothing to that book's readers at the time, but, after having read DC Versus Marvel, it's clear bit of foreshadowing. The scene includes a line of portentous narration, of the sort readers would have been trained to know promised a sequel or continuation of some sort. 

"Still," Green Lantern Kyle Rayner thinks to himself. "Just between us... ...I'm glad it's over."

(So obvious is the connection between Unholy Alliances and DC Versus Marvel that DC, who published this omnibus, included an ad for the still upcoming DC Versus Marvel: The Amalgam Age Omnibus, which contains DC Versus Marvel, directly after the last page of this Surfer/GL crossover.)

Given the cosmic nature of the various characters involved in Unholy Alliances, it seems an easy enough one to deal with the DC Universe-and-Marvel Universe-as-separate-dimensions concept; these are characters who regularly travel through time, space and other dimensions, ones who have been involved in battles to re-write their respective realities in the past (And quite recent past, for some of the DC characters featured herein).

One interesting aspect of Marz's exploration of the concept in this script, and its basis for DC Versus Marvel, is that the later story would establish a new character, jointly owned by both DC and Marvel, whose superpower was the ability to traverse between the two universes and thus provide an ongoing means for future crossovers. 

However, while some future crossovers took advantage of that and acknowledged the Two Universes premise, others just ignored it completely and continued with the original idea of just having the publishers' characters already extant in the same universe. (Wikipedia's page on the DC Multiverse lists a "Crossover Earth" or an "Earth-7642" where the DC/Marvel comics take place, giving them their own universe separate from either the main DC Universe or Marvel Universe. That is, of course, another option for those who are concerned with such things, I guess.) 

Marz's suitability for writing this particular project went far beyond the fact that he was going to be co-writing DC Versus Marvel, though. He was, at the time, the regular writer of DC's Green Lantern and Marvel's Silver Surfer, so the publishers could have hardly asked for a more ideal writer for the crossover. 

The rest of the creative team consisted of pencil artist Darryl Banks, Marz's partner on Green Lantern (and Kyle Rayner's co-creator) and veteran inker Terry Austin.

Somewhere out in deep space, The Silver Surfer comes across a caped figure standing atop a destroyed planet as corpses float about him. When the Surfer confronts the stranger, we see that it is Hank Henshaw, the Cyborg Superman of "Reign of the Supermen," now in his red and black look. He introduces himself simply as "Cyborg," and the pair immediately fight, letterer Chris Eliopoulos providing a big "BRAKKADOOM!" that dwarfs the battling figures in the panel where they clash. 

Meanwhile, on Earth, the style of narration boxes shifts to let us know we are now hearing freelance artist Kyle Rayner's thoughts as he works at his drafting table on a logo design, only to be forced to change into Green Lantern when Marvel character Terrax appears to pick a fight with him, mentioning his desire to conquer "This universe."

Both fights are broken up when new players appear. 

In space, it's Parallax, the identity Hal Jordan took after going mad during the Marz-written "Emerald Twilight," here rather fresh off his plot to destroy and remake the DC Universe in the pages of the previous year's Zero Hour. And on earth, it's Thanos, wearing his classic costume and sitting on a flying chair. The two newcomers rather quickly dispatch of the secondary bad guys. 

Marz will jump back and forth between the two settings regularly, building a neatly organized parallel narrative. After some conversation, it's made clear that Cyborg and Parallax have come to the Silver Surfer's reality (the latter chasing the former), and that Thanos (and Terrax) had similarly come to Green Lantern's reality, through a rift between the dimensions. 

Parallax convinces the Silver Surfer to lend him part of his power cosmic, giving him the might he needs to complete his mission of restoring the destroyed Coast City, although he starts by restoring to life the dead planet and its inhabitants from the first page.

And Thanos convinces Kyle that he has constructed a super-weapon to stop Hal Jordan, who he claims threatens both universes. In order to operate the weapon, though, he needs Kyle to journey with him to the center of the universe, put his arm in an elaborate machine, and use his ring to channel the "almost limitless ambient energies of Oa", which Kyle had recently destroyed during a fight with Hal. It was Oa's destruction that apparently created the rift between the two universes in the first place. (Thanos being Thanos, however, he really just wants to use all that energy to destroy existence, a plot he reveals to Kyle just as soon as he gets what he wants from him.)

And so that's where the subtitle comes from, as both heroes rather naively decide to ally themselves with cosmic supervillains from the opposite universe, each of the title characters being rather easily talked into taking part in their schemes. 

And the Surfer is also pretty easily manipulated into fighting Kyle, but I guess seeing him standing side-by-side with Thanos is enough to convince the Surfer that Kyle's a bad guy.

This leads to a pretty awesome double-page splash, in which Banks and Austin draw the two heroes posed in opposition to one another, in a poster-quality image. 

Thanos tells Parallax that he's harnessed all that energy "in order to destroy everything that exists." Hal, eyes glowing with the power cosmic, responds, "And I finally have enough power to recreate it. Our goals, it would seem, are at odds."

And so they fight too, so spectacularly that it catches the Surfer's attention and he and Kyle are able to put aside their differences and intervene, ultimately putting all of the vast energies that have gone to Thanos and Parallax back where they belong and sealing the rift.

"Perhaps we'll meet again," The Surfer says over his shoulder as he heads towards the closing rift, while Kyle responds, "Meet again? Oh yeah, like that's really gonna happen." Another nod to the upcoming DC Versus Marvel on Marz's part? 

Now, if you're wondering who would win in a fight between Green Lantern Kyle Rayner and the Silver Surfer, well, the four panels devoted to their fight following that double-page splash here are pretty inconclusive, but,—spoiler alert!—they would be forced into combat with one another in the pages of DC Versus Marvel, and the Surfer would be victorious. Theirs was one of the fights that was determined by writers Marz and Peter David and not by fan vote, as the more high-profile matchups were. 

So yes, Kyle Rayner would end up meeting the Surfer again rather soon after the events of their crossover.

So too will we, as it turns out that the Surfer is one of the stars of the very next DC/Marvel collaboration.

Next: 1996's Silver Surfer/Superman #1...not DC Versus Marvel, which was technically the next DC/Marvel crossover, preceding Silver Surfer/Superman. As it's collected in a different omnibus, the DC Versus Marvel: The Amalgam Age Omnibus, we'll get to that after we finish reviewing all of the contents of the DC Versus Marvel Omnibus and start in on the second omnibus.