Showing posts with label elongated man. Show all posts
Showing posts with label elongated man. Show all posts

Saturday, February 16, 2008

Satellite Era Spotlight: Justice League of America Annual #1


Justice League of America Annual #1 (1983), by Paul Levitz, Len Wein, Rick Hoberg and Dick Giordano

Twenty-two thousand and three hundred miles above the Earth, a handful of Justice Leaguers are in pitched battle against massive, armored aliens that seem to each be as powerful as Superman. While Ralph "Elongated Man" Dibny struggles to hold one, it's fist punches a hole in the JLA Satellite's plasteel walls, and



But it turns out it was all just a dream!



Whew.

Hmm, and it turns out I was wrong about Ralph’s favorite ice cream. But who could have guessed guacamole ice cream? I didn't even know such a thing existed...

Sue offers to talk about his nightmare with him, but Ralph laughs it off and she rolls over to go back to sleep. He stares out his bedroom window, thinking dark thoughts, and worrying that maybe some day someone will get hurt because of his choice to become The Elongated Man. Ha! Like that would ever happen!

Then we cut to...





Hey, when the credit box on the first page referred to Wein as "wordsmith," it wasn't kidding! Man, this is some nice narration. It almost sounds like a poem...

Elsewhere, in a room
Without number
In a place
Without name
A shadowy figure sits before a
Massive Materioptikon
His gloved fingers flying across
The control board as if playing
Some perverted calliope
But his is not a happy song


But who is this shadowy figure? Hobbers' panels slowly tease out his idenity. Why, it's...



...Skeletor!



Alright, alright, Doctor Destiny.

Special guest star Commissioner Gordon notices that Destiny escaped from his cell at Arkham Asylum, leaving an illusion of himself in his cot. Gordon can't reach Batman, who is busy invading Markovia in the pages of the then-just launched Batman and The Outsiders (The Showcase Presents volume of which is totally worth $16.99). So Gordon turns to the League, apparently inviting them all down to his kitchen for a meeting.



No, I guess that's actually the Justice League's meeting room. Hoberg just draws it like a kitchen. Anyway, after Gordon tells them about Destiny, the League decides that they'll split up into teams to search for the villain.

Firestorm, The Atom, Hawkman and Hawkgirl head to a psych-lab at Ivy University, using a Thanagarian cerebrumeter to follow a trail of unusually high concentrated delta-waves.

Using his molecular restructuring powes, Firestorm creates a revolving door in the wall of the building, and a mustachioed scientist immediately shows off his deductive skills:



“Sorry, I didn’t recognize you at first. The hawk-shaped helmet, the giant hawk-wings and the symbol of a hawk on your chest confused me. I thought you might be Batman and Batwoman.”

Destiny's not there, but when he sees that the League is, he uses the Materioptikon to summon green monsters from the dreams of slumbering test subjects to attack his foes.


What, you didn’t believe me this was from 1983?

Fresh out of quips with short shelf-lives, Firestorm manages to awaken the students whose dreams are generating their foes, thus ending the battle.

The Leaguers then show off what good teammates they all are, by all speaking one fourth of the same sentence



Now that's teamwork!

Meanwhile, the all-blonde squad of Aquaman, Black Canary and Green Arrow journey to a Greenwich Village art fair, because several of the artists participating have disappeared.



Note that when alone, the nearest civilians a good twenty feet away, these three Leaguers, all of whom know each other’s secret identities, even the two of them who are living together, don’ use their eal names. Even their nicknames are based on their codenames: "Arrow," "Archer," "Pretty Bird."

Now, one of ex-Justice League of America writer Brad Metlzer’s most obvious and annoying affectations was to always have the heroes calling each other by their first name, whether or not the character's knew each other's real names, or if there were villians around, or if they were out in public, or if no one reading the damn comic knew the characters' first names (See "The Lightning Saga;" surely fewer readers are on a first-name basis with the fantasy Legion of Super-Heroes that Meltzer and Geoff Johns created for the story than people reading the book, right?)

But what's the source of Meltzer's weird habit? Obviously the so-called Satellite Era has had a huge influence on Meltzer; these are the characters he likes most, the stories he references the most and all of the mistakes and continuity gaffes he made tended to come about from him trying to honor this Pre-Crisis (on Infinite Earths) continuity rather than the Post-Crisis continuity (It could even be argued that the sole reason DC rejiggered their continuity in Infinite Crisis was to realign it with Meltzer's vision of how it should be).

But here we have a Satellite Era comic, and the characters aren't calling each other Ollie and Arthur and Dinah.

Back to the story, the Blonde Batallion's investigation goes a lot like that of Firestorm's team. Destiny's not there but he's watching, and uses the Materioptikon to summon something for them to fight, which they do.

Meanwhile, Wonder Woman and The Flash race to Gotham City to search for Destiny, where they meet a surprise guest star...



Aw, come on, Wonder Woman! I was just complimenting you guys on your restraint and discretion regarding your real names, and there you are blurting John’s full name out in public!

(Actually, does John have a secret identity? I remember he made a big deal about not wanting to wear a mask, so maybe he's always been out? Short of one issue in the GL/GA trades, the one in which he first gets his power ring, this is the earliest story featuring him I’ve read, I think.)

Now, why is Flash so unhappy to see him? Why does Barry Allen hate black people?

John makes with some exposition (and refers to his costume as "cockamamie") before conjuring up a gigantic, glowing, green blood hound to sniff out delta-wave radiation.



Is the dog just for show, and the ring's detecting the delta waves? Or did GL use the ring to create a delta-wave detector and put it in the dog's nose or...?

Anyway, I like the fact that Wonder Woman's all, "This should get us upstairs unnoticed," and then they float up the shaft in a glowing green bubble attached to a giant, glowing green blood hound.

Anyway, you know what happens by this point, right? Destiny's not there, but he's watching, summons some dream foes for the Leaguer to fight, and they fight them off.

Meanwhile, Zatanna uses her magic to find Doctor Destiny, thus proving the last 20 pages or so a huge waste of everyone's time. First she and the League leftovers of Elongated Man and Red Tornado magic to the dream realm for their own version of the same scene we've already seen three times.

Then she summons the League, and they splash page their way forward.



I really like the top half of this panel, and the way all the fliers have their own flying style. Particularly John. He really looks like he’s being propelled through the sky by a force, instead of adopthing the gegneric Superman flying pose, and in fact, he isn’t really posing at all, just flying. Heck, that’s how I’d fly if I could fly. Good job, Hoberg!

And where are they splash-paging off, too? Why, to this familiar setting:



Oh wow, no way! It's the Kirby-created Sandman! The one that came long after Wesley Dodds, but long before Morpheus of The Endless! I honestly did not see that coming. With The Sandman and hsi servants Brute and Glob captured, Destiny controls the realm and all the nightmares and dream monsters within it, which he sics on the League.

They beat back the bad guys, however, and are closing in on their nemesis, when he decides to fight dirty, and thorw sand in their eyes



And not just any sand, but "The Sandman's somnolent sand," which puts them asleep. Ralph's the last one to go down, but he's able to stretch a finger to the eject button on The Sandman's tube, shooting him into the Dream-Stream. Doctor Destiny's all like, "Ha, who cares if I lose The Sandman; I've got the whole Justice League!" So he puts them all in glass collector's cases and gloats.

The Sandman uses his newfound freedom to journey to Earth and wake up a napping Clark Kent, who ripss off his suit to become Superman, and, in short order, they're in the Dream Dimension, kicking ass and opening glass cases:



With Destiny successfully defied, the League and their new ally retire to the Satellite for a post-mortem of the adventure. And then Firestorm pops the question:



Now, I'm sure it didn't occur to Levitz and Wein when they were writing this scene, and it may not even look like it now at first glance, but this is actually a momentous moment in comics history right here. The JLA is asking The Sandman to join their team here and, no exaggeration, which way Levitz and Wein decide to have him answer this question would have had a gigantic impact on the medium's creative and commercial growth.

To back up for a second, I should note there’s no real reason for The Sandman to say no here. He fits in perfectly well, even more so than Elongated Man or Firestorm or Red Tornado, in terms of Justice League worthiness. He's an iconic character and household name kind of hero of hero (Like Uncle Sam, he's a DC-owned superhero whose name alone makes him as familiar as Batman or Superman, even if he's not as popular as a comic book character).

While he's not Kirby's most inspired creation, not even his most inspired DC creation, he's not a bad character. Hes costume's decent and seems to fit in among the rest of the Leaguers, his powers are interesting and unique and, like the vast majority of the heroes on the League at the time, he works far better on a tea than he would alone. His book didn't last very long, but, like Elongated Man or Green Arrow or Zatanna or Red Tornado, eve if he couldn't support a book of his own, he could certainly help support a team book.

Long sory short, Levitz and Wein could have easily made him say yes and join the Justice League.

Now, imagine if he did. Imagine if he becomes a character like Elongated Man, Red Tornado, Firestorm or Zatanna, a member of the League's B-team who is forever associated with the team. That means he’s not in limbo and half-forgotten for the remainder of the '80s, and then, come 1989, maybe he’s joining on the JLI instead of lending his name and an element or two to Neil Gaiman’s dramatic reimagining of him in The Sandman.

Then what? Hard to say for sure, but, at the very least, there's no Neil Gaiman's The Sandman, one of, if not the, best American comic books produced (I once read an article that that said it wasn't just one of the best comics of the latter half of the 20th century, but it was one of the best works of fiction of that period, and I’m inclined to agree).

But the quality of Gaiman's Sandman series aside, it undoubtedly had a huge impact on our pop culture, and a hard to over-estimate one on comics.

Without The Sandman, what would become of Neil Gaiman’s career? Would he have simply taken over Swamp Thing after Alan Moore left? Would he have turned Books of Magic or Black Orchid into a sufficeintly Big Thing to replace The Sandman? Does he find success elsewhere?

What about all the superstar artists that came out of iThe Sandman, finding much bigger and more appreciative audiences than they had before working on it?

What about Vertigo, foundation of which was certainly laid by Moore, Grant Morrison and others, but the spine of which has long been Gaiman's little Sandman universe. It was his Death The High Cost of Living that was the first official Vertigo book. WithoutThe Sandman, is there a Vertigo? (At the very least, there wouldn't be that or the Death book and other Endless and Dreaming related spin-offs, and probably not Sandman Mystery Theater or The Books of Magic or Lucifer and all those The Sandman Presents books.

Without Vertigo, think of all the creators who might not have found their way into U.S. pop comics, or at least not in the same way or at the same level of popularity that they ultimately did—Morrison, Peter Milligan, Garth Ennis, Mark Millar...

Without The Sandman and Vertigo, does the graphic novel revolution ever get here? Does it just come a little bit later, or does it take a different form entirely? Is it pushed along by manga, and Western companies are rushing to reach this new bookstore audience at the beginning of the aughts?

Talk about a nightmare world! A world where The Sandman joined the Justice League is a world where The Sandman was never published, a world where Vertigo may never have existed, where graphic novels never became the prominent format ath athey are now and AAAAAAAAAAAaaaaaaaaaaaaaaaaaaaaaaaa!!!!!!!!!



Whew! It was all just a dream. The Kirby Sandman turned the offer of Justice League membership down, and thus entered limbo to be transformed into Gaiman's Sandman at the end of the decade.

It’s a good thing that when The Sandman said that his condition of only being able to leave the Dream-Dimension for an hour at a time would make joining the team impractical, nobody was like, "Oh, that's cool. Aquaman had the same problem with being out of water, and he founded the team, and has been with us for years now."

Thursday, July 12, 2007

THE ELONGATED MAN


likes gingold sorbet...



and whatever Sue's having.

Sunday, May 27, 2007

Satellite Era Spotlight: Justice League of America #142

Current Justice League writer Brad Meltzer and current writer of one-third of all DC books Geoff Johns have made it pretty obvious that they absolutely adore the Satellite Era of Justice League history, that time in the seventies and early eighties when the World's Greatest Heroes all hung out in a clubhouse 22,3000 miles above the planet earth, going over their charter, having meetings and electing chairpeople.

For those of us on the other side of 35, it can be hard to understand what was so great about red-and-black costume Elongated Manor why today's JLoA should resemble that era more closely than the Giffen/DeMatteis JLI Era or Grant Morrison Watchtower Era. In an effort to better understand the greatness of the Satellite Era, EDILW is going to spend some quality time with all of the JLoA comics of the preriod we could get our hands on—um, about a half-dozen a friend's boyfriend wanted to clean out of his closet—which leads into our newest feature: "Satellite Era Spotlight."

Up first, 1977's Justice League of America #142, "Return From Forever!", by Steve Englehart, Dick Dillin and Frank McLaughlin.



Dateline: The Atlantic Ocean, 80 miles off the coast of Georgia.

Aquaman has invited Elongated Man and The Atom to hangout and relax with him. The Atom’s awfully grumpy, about his superhero career…and his powers.



Yeah, Aquaman. It sure would suck to be like Batman or Green Arrow. Whichh reminds me, how are sales on your monthly going? Oh, what's that? You've been killed off and replaced in your own title?

Suddenly, they spot two dog-fighting space ships, and when one downs the other, Aquaman goes to investiage, and finds a telepathic alien by the name of Willow there.



“A woman--!” he exclaims. Oh yeah? What were your first two clues, Atlantean Ace?

It turns out that the other ship was piloted by a minion of The Construct, and the woman named Willow urges the heroes to take her to Atlantis, since the Construct rules the airwaves. They comply; meanwhile the ‘struct tells his origin to the minion that shot Willow down, apparently as punishment for his failure to finish her off. (I'm not sure what we did to deserve such a punishing amount of exposition).





In Atlantis, Aquaman greets then-king Vulko, who’s clearly in the best shape of his life at the moment.





But the (rather stupid-looking) Construct can find them even in Atlantis, and demands they give up the girl. Aquaman tells him where to go, and the Construct is surprised at the language. Is that really a strong epithet for an Atlantean? Actually, is that even an epithet? I don't think it qualifies, since he didn't actually call the Construct a name, but hurled a rude imperative sentence at him.




Willow breaks them up into groups, requesting the Atom act as her bodyguard. Aquaman’s a little surprised…and Atom's Napoleon complex kicks in.

(This isn't actually all that out of character for the Atom. He has quite a big chip on his tiny little shoulder. For example, his first impulse upon meeting a new recruit to the League is to stab them in the eye with a pencil.)




Say what Ralph? Aquaman, are you going to let that stand?




Attacked by the Construct's henchmen known as "Cannons," Willow reveals herself as “a Mistress of the Martial Arts,” which further hurts Ray’s feelings of inferiority. “I thought I was supposed to be protecting you, but t seems I was wrong! You chose me to go with you because you don’t need any protection!”

Meanwhile in Miami, Aquaman and Elongated Man find the city threatened by a death ray-emitting device, called the “Thanatron.” To deactivate it, Elongated man must first survive a barrage of strange sound effects…





Meanwhile, on the Justice League Satellite, Superman brags about his stamina, tells the others to sit this one out and rest up their poor little human bodies and even gives Wonder Woman a backhanded compliment:






Then Green Arrow calls him aside to talk about Wonder Woman:






Worried about this internal strife, Superman thinks about what it may mean for the future of the League as he and Wonder Woman speed toward Earth:



Well, perhaps you could quit being such a dick. Bossing her around, giving her the patronizing "Yeah, but you get to sit down" speech...


I really like this panel, where those sensitive souls Superman and Oliver Queen try to figure out what's wrong with Wonder Woman these days:



Supes' first thought is that it must be man trouble. I guess that's better than saying what surely must be his second thought, if that was his first: "Perhaps it's just her time of the month, G.A.! She'll be okay in a few days, I'm sure." And Green Arrow's just like, "Whatever; I think she' s just a total bitch." (The word "witch" being comic book code for "bitch." )


Meanwhile again, Willow and the Atom get attacked by the Construct himself, who has beamed his mind into the island they're on, building himself a body "composed of metallic ores rather than machine parts!".

The Atom simply shrinks to the size of a real Atom, too small for the Construct to attack him mentally, and jumps into his body. Inside the Construct's new body, he suddenly grows, which destroys the Construct for some reason:




“Bar-soom?” Isn’t that the name of a Star Wars character or planet? No, I’m not joking. Seriously. Doesn’t that sound familiar?

Anyway, it all ends happily, with the Atom getting over his short man's complex and scoring a kiss from Willow:



Eww. I don't know what it is exactly, but something about that image just grosses me the hell out. Trying to see it from Willow's perspective, kissing a tiny little member of the opposite sex—no matter how sexy—seems a little gross, as I'd be afraid to kiss their frail little head right off. And from the Atom's perspective, can you imagine those gigantic lips, as wide across as your own shoulders, wrapping themselves around your skull and coating your mask in a layer of saliva? Bleah!

The end.

Next up: The incredibly topical JLoA #147

Thursday, August 03, 2006

Actually Essential Storylines: The Elongated Man



This week’s 52 featured the second of the now-weekly back-up origin stories, each one ending with a head shot of the hero, a breakdown of their powers and a section marked “Essential Storylines,” giving new readers suggestions of where they can seek out more on the hero featured.

Last week it was Wonder Woman, and, as bitched about in “Weekly Haul,” most of the storylines recommended were out of continuity, and thus not canon.

This week the star is Ralph “Elongated Man” Dibny, and while the two-page, nine-panel story was tightly written by Mark Waid and gorgeously illustrated by Kevin Nowlan, the “Essential Storylines” section again seemed inadequate.

So I spent some quality time with my longboxes (But then, isn’t all time spent with one’s longboxes quality time?) for some more suggestions. I suspect this will be a regular EDILW feature.

Here's what DC reccomended:

Showcase Presents: The Elongated Man: No arguments there. While I’ve yet to read this particular volume (see black-and-white version of the cover above), I’ve also yet to regret buying a single one of the Showcase Presents books. Offering over 500 pages of the Ductile Detective action for less than a single $20 bill, it’s certainly the most essential value.

Identity Crisis: Again, no arguments. This is a murder mystery centering on Ralph and Sue Dibny, and it's awfully brutal to them both, in at least one scene going to a place that struck me as rather inappropriate territory at the time. And I'm still a little uncomfortable seeing what happened happen on the Justice League's meeting table. It is a beautifully drawn book though, and writer Brad Meltzer's story is six-sevenths of a great one (he cheats on a few points at the end, and it completely falls apart). For better or worse, it's not only the most pivotal Dibny story, but the most important one DC’s published in a while, as pretty much the last two years’ worth of their stories (including 52) spin out of the events of IC.

Here’s what they missed…

Starman: James Robinson’s entire run on Starman is essential reading, of course, but for our purposes here the two graphic novels’ worth of comics featuring the Dibnys are Stars My Destination and Grand Guignol. The Dibnys come to Opal City to help protect it while Jack is off in outer space, and they end up playing a pivotal role in cracking a mystery and saving the city. They decide to relocate from Midway to Opal, and Ralph serves as one of the city’s protectors (along with Black Condor, The Phantom Lady and The Shade) once Jack hangs up his cosmic rod and goes into retirement.

Justice League Europe/Justice League International: Ralph was a founding member of Justice League Europe, the book that spun out of the success of Keith Giffen and J. M. DeMatteis’ Justice League America/International book. In fact, he was on the team from it’s early days (When Giffen, DeMatteis and Bart Sears were at the helm) until it was renamed International and writer Gerard Jones took over. Criminally, none of these issues have been collected into trades, but a good quarter bin is likely to have ‘em. Keep your eye’s peeled for Justice League Quarterly #6, as it’s lead feature is a story by then still up-and-coming writer Mark Waid, and it details one of Sue’s infamous birthday presents for her husband: An elaborately staged mystery.

The “Superbuddies” books: Giffen, DeMatteis and select members of their old cast got together for two reunion special-style stories, in miniseries Formerly Known as the Justice League and a JLA: Classifed arc entitled “I Can’t Believe It’s Not the Justice League.” Both have been collected into trades.

JLA: Incarnations: This fantastic series by John Ostrander and Val Semeiks focused on a different incarnation of the League in each of it’s seven issues. While the Elongated Man didn’t get a very big role in any of the issues, #4 dealt with the end of the “Satellite Era,” during his initial tour of duty with the League, and #5 focused on the so-called Detroit League, on which Ralph was one of the four elder Leaguers training four newcomers. I have no idea why DC has yet to collect this mini into trades, when even the most abysmal, unreadable arcs from the monthly, “Pain of the Gods” and “The Tenth Circle,” have gotten the trade paperback treatment.

Other universes: In Frank Miller’s DKU (Dark Knight Universe), a cigarette-smoking Ralph was hawking Viagra-like Gingold Plus with the slogan “Elongate your love life,” until Batman recruits him to his team. He basically needs him for one task—to hold down a completely insane Plastic Man until they can talk sense into him. Miller has some really great images of Ralph scaling the walls of Arkham and wrestling with Plas. In the Rossiverse (Alex Ross’ version of the DCU, where all of his favorite heroes are on the JLA), Elongated Man has a bit part in the over-sized graphic novel JLA: Liberty and Justice , and he and Sue both make cameos in the ongoing Justice.

Other media: Elongated Man is probably the least successful stretchy superhero when it comes to breaking into other media, but he is a member of the Justice League on Justice League Unlimited. His conversation with Booster Gold in “The Greatest Story Never Told” is probably the highlight of the episode, one of the funniest in the series.